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	<title>File:Ann Wenner Osteen, Distinguished Citizen 1987 (1).jpg - Revision history</title>
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	<updated>2026-06-04T09:55:00Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.brunswickmdhistory.com/index.php?title=File:Ann_Wenner_Osteen,_Distinguished_Citizen_1987_(1).jpg&amp;diff=39539&amp;oldid=prev</id>
		<title>HistoryCommission2 at 18:46, 11 November 2018</title>
		<link rel="alternate" type="text/html" href="https://www.brunswickmdhistory.com/index.php?title=File:Ann_Wenner_Osteen,_Distinguished_Citizen_1987_(1).jpg&amp;diff=39539&amp;oldid=prev"/>
		<updated>2018-11-11T18:46:16Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:46, 11 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From early abstract work like &amp;quot;Free,&amp;quot; which she painted in 1966 as a way to imagine a visual utopia in which the races would join together in a glorious patchwork of color and form, to more recent paintings like &amp;quot;Nautilus,&amp;quot; which explores the intricate shape of her favorite sea shell, Osteen&amp;#039;s career has been bold and diverse, experimenting with a range of subjects, styles and perspectives. &amp;quot;Sunday Painter&amp;quot; features a somewhat inconsistent assortment of eight paintings that loosely trace the evolution of her career.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From early abstract work like &amp;quot;Free,&amp;quot; which she painted in 1966 as a way to imagine a visual utopia in which the races would join together in a glorious patchwork of color and form, to more recent paintings like &amp;quot;Nautilus,&amp;quot; which explores the intricate shape of her favorite sea shell, Osteen&amp;#039;s career has been bold and diverse, experimenting with a range of subjects, styles and perspectives. &amp;quot;Sunday Painter&amp;quot; features a somewhat inconsistent assortment of eight paintings that loosely trace the evolution of her career.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the end, &amp;quot;Sunday Painter&amp;quot; features three talented artists who are, of course, anything but Sunday painters. Each of these three artists share a passion for creating art that is political, psychological and spiritual, enriching and expanding Savannah&amp;#039;s ever-changing art scene.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the end, &amp;quot;Sunday Painter&amp;quot; features three talented artists who are, of course, anything but Sunday painters. Each of these three artists share a passion for creating art that is political, psychological and spiritual, enriching and expanding Savannah&amp;#039;s ever-changing art scene.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>HistoryCommission2</name></author>
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	<entry>
		<id>https://www.brunswickmdhistory.com/index.php?title=File:Ann_Wenner_Osteen,_Distinguished_Citizen_1987_(1).jpg&amp;diff=15919&amp;oldid=prev</id>
		<title>HistoryCommission2: Distinguished Citizen 1987

Anne Wenner Osteen
(1934)  Distinguished Citizen 1987

Brunswick:  100 Years of Memories (1990)

Ann has gained national and international recognition for achievements in art, fashion, and preservation since moving to Savann...</title>
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		<updated>2018-07-22T17:54:43Z</updated>

		<summary type="html">&lt;p&gt;Distinguished Citizen 1987  Anne Wenner Osteen (1934)  Distinguished Citizen 1987  Brunswick:  100 Years of Memories (1990)  Ann has gained national and international recognition for achievements in art, fashion, and preservation since moving to Savann...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Summary ==&lt;br /&gt;
Distinguished Citizen 1987&lt;br /&gt;
&lt;br /&gt;
Anne Wenner Osteen&lt;br /&gt;
(1934)  Distinguished Citizen 1987&lt;br /&gt;
&lt;br /&gt;
Brunswick:  100 Years of Memories (1990)&lt;br /&gt;
&lt;br /&gt;
Ann has gained national and international recognition for achievements in art, fashion, and preservation since moving to Savannah, Georgia.&lt;br /&gt;
&lt;br /&gt;
Ann Wenner Osteen is Peter Wenner’s Aunt.   From Peter:  She is 83 years old, but she still paints and makes jewelry. She&amp;#039;s primarily a painter and sculptor, but she also was involved with homes &amp;amp; gardens in Savannah. &lt;br /&gt;
&lt;br /&gt;
From Savaannah Morning News:&lt;br /&gt;
Hersh: A changing of the guard&lt;br /&gt;
Posted: Sunday, September 08, 2002&lt;br /&gt;
&amp;quot;Sunday Painter,&amp;quot; a new exhibit at Kim Iocovozzi Fine Art, signals a changing of the guard in Savannah&amp;#039;s art scene, ushering in a new era of creativity, energy and vision.&lt;br /&gt;
This eclectic show combines a retrospective of more than four decades of paintings by Savannah&amp;#039;s legendary artist Ann Osteen with new work by Marcus Kenney and Zacharias Vincent, two of the city&amp;#039;s most talented emerging artists. Although gallery owner Kim Iocovozzi originally conceived of &amp;quot;Sunday Painter&amp;quot; as a way to demonstrate the conceptual and aesthetic connections between Savannah&amp;#039;s old guard and new guard, &amp;quot;Sunday Painter&amp;quot; instead highlights the remarkable differences between Savannah&amp;#039;s established and emerging artists.&lt;br /&gt;
Osteen, who is perhaps Savannah&amp;#039;s most widely collected artist, has exhibited her work at the High Museum in Atlanta and has won the Governor&amp;#039;s Award for her outstanding commitment to art. At 70, she continues to paint from her studio overlooking the Savannah River, finding inspiration in voices resonating from downtown churches on a Sunday morning and container ships cruising past her window.&lt;br /&gt;
From early abstract work like &amp;quot;Free,&amp;quot; which she painted in 1966 as a way to imagine a visual utopia in which the races would join together in a glorious patchwork of color and form, to more recent paintings like &amp;quot;Nautilus,&amp;quot; which explores the intricate shape of her favorite sea shell, Osteen&amp;#039;s career has been bold and diverse, experimenting with a range of subjects, styles and perspectives. &amp;quot;Sunday Painter&amp;quot; features a somewhat inconsistent assortment of eight paintings that loosely trace the evolution of her career.&lt;br /&gt;
In the end, &amp;quot;Sunday Painter&amp;quot; features three talented artists who are, of course, anything but Sunday painters. Each of these three artists share a passion for creating art that is political, psychological and spiritual, enriching and expanding Savannah&amp;#039;s ever-changing art scene.&lt;/div&gt;</summary>
		<author><name>HistoryCommission2</name></author>
	</entry>
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